Image credit: The Mighty Ape |
It’s a delightful, dark, and overcast afternoon here in the world of
wonder that is my living room, so how did my partner and I decide to while away
a few hours? With a movie, of course! I am very excited that Netflix now has
the whole Studio Ghibli repertoire because it means that I can finally sit down
and watch all those classics that I’ve not yet seen. This afternoon’s choice
was Pom Poko.
This cute, Watership Down-esque,
eco-awareness movie tells the story of a colony of raccoons whose forest is
being torn down to make way for various housing developments. Desperate, the
raccoons revitalise their ancient tradition of shape-shifting and
transformation in the hope to trick, scare, and stop the humans from destroying
their home any further.
This would have to one of the cute, but strangest Studio Ghibli movies
that I’ve yet seen. It was interesting in that it reminded me of so many other
things: as I mentioned, there was a distinct Watership Down vibe, which then turned into a cute Disney-esque, Bambi/Milo & Otis romp, and then morphed yet again into a Wes
Anderson type of deal a la Isle of Dogs.
The story, told mostly in voice-over narration to indicate that all this
happened years ago, is a bittersweet tale of forest devastation,
eco-demolition, and the hope for a change of heart and preservation. The film
tackles these themes well, making them more accessible to its younger audience
with its cute and cartnooish animation and characters.
Image credit: Pom Poko GOOGLE DRIVE -overblog |
However, I found that while the story itself was simple and
straightforward, it was a little challenging because none of the film’s
characters had any sort of driving role at any point in the duration. A lot of characters
are introduced; a whole motley crew that could have proven to be a fun and
eccentric group together, but no characters really got any development and
therefore it was kind of hard to follow who everyone was and why they got more
screen time than others.
Pom Poko is definitely different and sweet, but I definitely don’t think that it’s
a Ghibli classic, certainly not one that I would watch again for a while at
least.
Director: Isao Takahata, 1994
Cast (English): Jonathan Taylor
Thomas, Clancy Brown, J. K. Simmons, Tress MacNeille, Kevin Michael Richardson,
John DiMaggio, Andrew Stojka, Brian Posehn, Wally Kurth, Olive d’Abo, Brian
George, Jess Harnell, Jillian Bown, Russi Taylor, and Maurice LaMarche
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