To movie studios, the words “the end” are only to be either at the
closing scene of a movie or accompanied with a sly question mark when the
film’s part of a franchise. I’m sure that studios would continue to churn out
movie after movie until people literally stop feeding it money because it’s
gone far enough. But sometimes when things are on the road to reach that point,
one can take the creative exit, and go out not with a fizzle but with a bang.
On that note, let’s talk about Logan.
Spoiler warning: there is the possibility that I might (hopefully subtly and
inadvertently) give away some plot points in my explanation of why this movie
is so great, so if you haven’t seen it yet and don’t want anything ruined for
you, best if you don’t read this until you’ve watched it.
Set in a future where
biological mutants have more or less died out, Logan (Hugh Jackman in his final
depiction of the character) lives day-to-day drunk, in pain, and scrabbling for
money to take care of a decaying Charles Xavier (Patrick Stewart). When Charles
tries to tell Logan of a young mutant in need of their help, he dismisses it as
delusion. No sooner does this happen then Laura (Dafne Keen) comes to them, on
the run from dangerous men and seeking a ride to ‘Eden’. After some bloody persuasion
Logan reluctantly agrees to the road trip, but as with any great adventure,
time is against them and their enemies are right behind them.
If you’ve heard
anything about Logan or just seen the
trailers, then you’ll know that this is not your typical Marvel X-Men movie. The ads depict it more as a
gritty noir drama a’ la Cohen Brothers, which has got everyone talking about
it. True to what you’ve heard, the aesthetic and feel of this movie is very
different to all the other X-Men
movies, and this is the first thing that makes it brilliant. A montage of
different genres creep into the mix including noir drama and war movie, but the
predominant feel is that of the apocalypse film. It could be because we follow
such a small cast or it could be the various scenes that take place in arid
open landscapes, but there is definitely the feel of Mad Max and The Road
about this movie and, when considering the franchise it’s a part of, this
filmic choice is what makes Logan
absolutely gorgeous!
While the central storyline is the adventure of the hunt
and the road trip, there is so much more happening within this movie that makes
it very rich and complex. Amongst the many different stories and themes
explored are the concept of time being the true enemy of us all, the potential
good and potential threat of the next generation (including the idea of
continuing legacy), and the ever-present idea that Wolverine has always been in
a metaphorical war with himself. If I had to say any negatives about the film,
it would regard the somewhat obvious visual depiction of this last point, which
looked great but could have been a little subtler.
The performances are all
glorious with Jackman and Stewart: two decaying, how-the-mighty-have-fallen
type grumpy old men just going at it, sniping at each other all the time. All
dapperness and PG-13 cynicism goes out the window with this gritty hard R
script and I think the guys really enjoyed showing off the fouler sides of
their characters. Then we have Dafne Keen who spends the majority of the film
mute, but still proves to be a solid little actress standing toe-to-toe with
the heavyweights. Her performance is just as strong as Stewart’s or Jackman’s
and it’s wonderful to watch her because there is so much mystery about her that
keeps us on tender hooks.
Like any Wolverine
movie there is an onslaught of action sequences, which are all very stunning,
but very violent. Where Deadpool
opened the window to R violence and made it funny, Logan shatters the pane completely with graphic, but beautifully
choreographed fight scenes. If you’re squeamish about lots of blood and various
forms of mutilation and decapitation, then this may not be the best idea. But
for those who can handle it, it’s amazing!
Long review short, go and see Logan!
It’s a fantastic final hurrah from Hugh Jackman and delivers the delicious
experience of a multi-layered and gorgeously stylistic genre film.
Starring:
Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook, Stephen Merchant,
Elizabeth Rodriguez, Eriq La Salle, Elise Neal, Quincy Fouse, and Richard E.
Grant
Rating: MA
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