Image credit: IMDb |
Continuing on the bad eco-horror bender that I’ve apparently started,
last night the film of choice was a particularly horrendous piece of work from
the early naughties called, Snake Island.
The film tells the story of a group of tourists on African safari who
make a unscheduled stop at one Snake Island Lodge and, through a series of
mishaps, become stranded. As the guides regale the visitors with superstitious
local legends of why the island’s tenants keep mysteriously disappearing, the
group gets a first-hand taste of the myths, as one by one they start vanishing.
Absolutely everything about this movie is ridiculous and wrong,
laughably so, but to give credit where it is due, I have to say that it’s nice
to see a movie in which the monster is not merely some giant member of the
species.
But this is where the positives end.
I still cannot work out what this film was and whether it was meant to
be taken seriously or not. It begins as this almost adorably amateur attempt at
a horror movie, but then it’s like everyone working on it got and drunk and
just let their creative juices break onto the floor and make a huge, wet,
chunky, mess. It may have been an attempt at taking the piss out of the eco-horror genre, but I'm honestly not sure.
The script is downright horrible featuring characters that have
absolutely no substance or likeable qualities, the reactions of everyone
(including the damned tour guides) upon encountering snakes are exactly the
opposite to what we’ve all been taught to do from the age of six, and then there
are some shots and sequences that make absolutely no sense and bring less than
nothing to the film.
Image credit: California Herps |
Ultimately this movie is like a drunken mash-up of the most memorable
scenes from good action-horror movies thrown together and whatever story there
is going on underneath all the screaming and hissing is incomprehensible.
While both my partner and laughed through many scenes (so, at least the
film was enjoyable in that way), Snake Island really doesn’t offer much
to whatever audiences it's trying to snag and I would recommend that you only
watch it if you’re out to see something truly dumb and wholly unremarkable in
any way, shape, or form.
Director: Wayne Crawford, 2002
Cast: William Katt, Wayne
Crawford, Kate Connor, Russel Savadier, Dawn Matthews, Milan Murray, Jason Kennett,
Japan Mthembu, Nicola Hanekom, and Seth Zweli Zimu
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