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Horror movies inspired by real events are ones to be taken with a
grain of salt. The level of terror they can inspire comes directly from what
genre of horror they are. Films that tread thriller terrain with psycho killers,
detectives, and abduction cases tend to have a leg-up on other genres as we
come across similar stories –though not always so extreme- in headlines.
Whereas not everyone can get on board with paranormal flicks based on real
reports. While movies such as The Exorcist prove that they can still make for iconic cinema, not all ghost
movies make the grade.
Winchester tells the story of grieving widow Sarah Winchester (Helen Mirren)
–whose husband invented the repeating Winchester rifle- who lives in a
gargantuan mansion that is always under construction and is also seriously
haunted. Sarah is convinced that the souls of all those killed by her husband’s
invention gather in her home and so she is continually building rooms for them
to either be locked up in if they are malevolent or helped to move on if they
are merely lost. Superiors at the office of the Winchester Company hire
physician Dr. Eric Price (Jason Clarke) to issue a formal evaluation declaring
Sarah insane and unfit to run the company, but soon after arriving at the mansion
Eric begins to encounter its ghostly residents –including one particularly
malevolent spirit with a powerful thirst for revenge.
Shot in Melbourne and directed by the Spierig brothers Winchester is an interesting story, but
a relatively mediocre movie. It would make a very exciting gothic novel a la
Horace Walpole or Anne Radcliffe as it covers all the generic tropes including
an elaborate mansion with secret passages, a cursed/dysfunctional family, and
of course the past forever intruding on the present. This was definitely the
film’s aesthetic –which reminded me very strongly of The Woman in Black- although where it falls down in this respect is
with the house itself. On the inside it’s a classic Victorian ghost story and
the cinematography is pretty spot-on, but on the outside the house –and a
number of its inner technologies- are more modern and clash with the vibe.
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In terms of a paranormal horror flick it’s eerie, but not anything
overly special or frightening. The jump scares are all strongly premeditated
causing you to spend the lead up poised with your hands over your ears – and
nine times out of ten they happen exactly where you think they will.
The performances are all very solid, but nothing incredible. Helen
Mirren as a grieving grand dame delivers a stylish performance and Jason Clarke
does a relatively good job of playing the rational character in a house of horrors
while simultaneously being haunted by ghosts of his own.
Stylistically Winchester
is a fine film, but as a horror movie it’s only so-so. The jump scares do work
and the possessed child –a popular genre cliché thanks to The Exorcist- is still a creepy thing to behold, but as the film
treads these familiar boards it becomes too recognisible and loses that
immersion you look for in a horror movie experience.
Starring: Helen Mirren, Jason Clarke, Sarah Snook,
Finn Scicluna-O’Prey, Emme Wiseman, Tyler Coppin, Laura Brent, Bruce Spence,
and Angus Sampson
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