Image credit: Amazon |
What would modern
horror movies be without the terrible B-grade flicks that pepper the genre’s
history? As with anything we need to take some time to appreciate the terrible
so that we might really admire the great. With that thought in mind, I draw
attention to The Phantom From 10,000
Leagues…
This independently
made monster movie tells the story of a mad scramble for a uranium deposit on
the ocean floor and a marine scientist’s experiment gone wrong. After a
fisherman’s corpse covered in radiation burns washes up on the beach a marine
biologist and federal detective rally together to uncover the mystery. The
theory is that a uranium deposit on the ocean floor is the culprit, but that
changes when the biologist discovers a terrifying creature in the depths.
Suspicion then turns to a local marine scientist and his mysterious research.
It may not be the
flashiest or stylish monster move ever made –in all honesty it’s actually
pretty terrible- but this movie really does make you appreciate other monster
movies, especially older ones you watch as a modern viewer. This film in all
its non-budget, B-grade splendor can actually give you a cute little history
lesson. Celebrated cinema nowadays does not necessarily stem from the classic
and sophisticated monster movies of the ‘30s, ‘40’s, and ‘50s. Case in point,
there was a moment in this movie that strongly reminded me of Jaws. The lesson is that you can take
something bad and improve upon it: make it bigger, faster, better. And watching
a film like this hammers home that point.
Image credit: Titans Terror Toys |
As a film this is
pretty terrible. Everything from the uninspired performances to the
papier-mâché monster that manages to overturn a boat simply by floating to the
surface and booping it with its head is ridiculous.
I’ll give them
snaps for trying with the story though. To compensate for the lack of money to spend
on makeup and special effects the writers actually tried to concoct a story
with some serious intrigue and came up with a fun –though probably wholly
unrealistic- science-fiction war weapon plotline that opened the doors for a
wide cast of characters and multiple storylines. Snaps.
If you can see the
beauty in bad monster movies as well as good, then watch this. If not, you can
live a full and happy life without it.
Starring Kent Taylor, Cathy Downs, Michael Whalen, Helene
Stanton, Phillip Pine, Rodney Bell, Vivi Janis, Michael Garth, and Pierce Lyden
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