Ten years ago a great
evil was rid from the village of Carlsbad, that of the vampiric count Dracula.
But the villagers still live in fear that he is not truly gone. Their fears are
confirmed when four English travellers are lured by evil to Dracula’s castle
and one of them becomes the blood sacrifice that resurrects the monster. One
falls prey to his ‘kiss’ and while the two remaining manage to escape, the
release is only temporary as the bloodthirsty Dracula designs to bring about
their doom no matter what.
I have not seen the first instalment in the series
of Hammer Dracula movies starring
Christopher Lee, but one can easily get excited about the prospect of such an
actor-character match. Needless to say I had very high expectations of this
movie and, even though Christopher Lee is wonderful as the Prince of Darkness,
the film was a bit of a disappointment.
First, let’s talk about a predictable
and uninspired storyline. Tourists, through mysterious circumstances, end up at
Dracula’s castle and become the key to his resurrection and his meal. Two
barely escape and then team up with a knowledgeable friar to destroy the
monster in a very anticlimactic way. From beginning to annoyingly dispiriting
end, there wasn’t much life in this story.
I will admit that for the beginning
it was rather good; it managed to create this great sense of suspense, namely
through the overloud score, and it packed a bit of a gore factor: primitive and
unbelievable, but still effective.
For the second half of the film, it was just
boring and the only reason that I stayed in my seat was to see more Christopher
Lee. Spoiler warning: there
is nowhere near enough Christopher
Lee in this movie! I feel quite ripped off.
Having said that, the scenes where
he does feature are the most exciting of the film. Sauntering through the movie
with absolutely no dialogue aside from hisses and screams, he was eerie and mesmerising:
it feels as though you’re caught in his hypnotic powers because you really
can’t look away.
All his acting is done through his face and the expressions
that he makes are quite telling of his character and where he is ‘emotionally’.
At times there’s a real sadness and melancholy lingering about the mouth and
the eyes, and then other times it’s pure rage and the thrill of the hunt. Once
or twice there’s this sinister and villainous lustful look that flits across
his features, which is exciting and creepy given the context.
To be fair all
the performances were fine, the film just falls down in it’s uninspired story
and its haphazard narrative flow plus the fact that time does not travel very
well here: one minute it’s the early hours of morning and the next it’s dusk
the following evening. Bit of a time jump at warp speed that just warped the
whole thing really.
Starring Christopher Lee, Barbara Shelley, Andrew Keir,
Frances Matthews, Suzan Farmer, Charles Tingwell, Thorley Walters, and Philip
Lathan, Dracula Prince of Darkness
doesn’t quite cut it as a classic monster movie and admittedly, coming from the
studio of Hammer, I expected a lot more. Filled with action, suspense, drama,
romance, and some unrealistic but still slightly effective gore, it’s a film
that had some redeeming features, but unfortunately not enough to save it from
drowning.
No comments:
Post a Comment