Before she cursed the infant Princess Aurora, Maleficent was
a kind-hearted woodland fairy who fell in love with a human boy from the rival,
neighbouring kingdom. But the boy grew into a man and became consumed with a
desire for power. In order to become king, he drugged poor Maleficent and cut
off her wings. We know what happened next, but what we didn’t know is that
Maleficent and Aurora developed a special bond during that sixteen-year lead up
to the curse’s fruition.
As I understand it, there is an infatuation at the
moment with making darker remakes of classic fairytales. With the success of Snow White and the Huntsman, how could
there not be really? It’s sort of like what Marvel did when the green light for
The Avengers was lit: suddenly movies
for all the characters in the Avengers were being made because there was
reason. For me, I was deadly excited to go see a film that was shaped in
trailers as being the Sleeping Beauty story told from Maleficent’s perspective.
What I got was half and half. As with most of the movies coming out this year, Maleficent suffered from flimsy and
unstable writing, but I think the bigger folly comes in the form of creative
control on Disney’s part. As a Disney production, I suppose we can understand
why a darkened and sinister version of the classic animated feature (which was
creepy enough when you really think about it) was a tad undesirable. But
seriously, the war-torn scorned lover story really butted heads with the
sugared ‘twist’ on true love’s kiss and to me, it seemed like the movie took a
cheap shot and reused the end of (spoiler alert) Frozen. I’m a lover of Disney and a lover of villains and I’m here
to say that this movie tries to achieve both and really highlights the truth
that it really can’t be done, at least not without the aid of animation.
Before
she cursed the infant Princess Aurora, Maleficent was a kind-hearted woodland
fairy who fell in love with a human boy from the rival, neighbouring kingdom.
But the boy grew into a man and became consumed with a desire for power. In
order to become king, he drugged poor Maleficent and cut off her wings. We know
what happened next, but what we didn’t know is that Maleficent and Aurora
developed a special bond during that sixteen-year lead up to the curse’s
fruition.
Well, I’ve had my rant and pretty much all that is wrong with the
film can be found in there. I don’t want to rant too much because I risk giving
away key plot points and entirely ruining the film for everyone (which I
probably have already done, but anyway). Instead of ranting further on all that
was wrong with this film, let’s turn our attention to what was right with it…
I
must admit that I’m not a fan of Angelina Jolie, I have nothing against her
personally I just don’t shine to her. But I do have to admit that the casting
choice of her as Maleficent was spot on. Her already pronounced cheekbones and
wide eyes could very well have made her the only candidate for the role and she
delivers a relatively captivating performance that gets batted with a lot of
emotional charges so fair play to her! The scorned/cheated lover worked well
for Mila Kunis’ Wicked Witch of the West so why not for Jolie’s Maleficent? And
Angelina does have this strikingness about her.
The script could have been
better, though I have to admit that I did enjoy the word-for-word rendition of
the infamous curse scene. I think Angelina grandiosed it up a bit too much, but
the venom and the words were there so I did like that.
Starring Elle Fanning, Sharlto
Copley, Lesley Manville, Imelda Staunton, Juno Temple Sam Riley, Kenneth
Cranham, and Brenton Thwaites, Maleficent
was a bit of a disappointment of a film I have to admit. Believe me, I really want to say that it was good or
at least fine, but writing and limitations of the studio’s creative control (I
think; that’s what it felt like) really brought it down. I wouldn’t recommend
wasting dollars at the cinema; if you’re still slightly intrigued, wait until
the DVD release.
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