A retired welder and Vietnam veteran stumbles upon the
bloody aftermath of a Mexican standoff, a pick up truck loaded with heroine,
and two million dollars in cash. Unable to resist the temptation, he takes the
briefcase of cash and unwitting sets into a motion a fatal three-way game of
cat-and-mouse with a homicidal hitman on his tail out to reclaim the money, and
a south western sheriff one step behind both of them.
The Coen brothers have
done it again! Based on the novel by Pulitzer Prize winning author Cormac
McCarthy, No Country For Old Men is a
tantalizing and suspense-fuelled action/thriller set against the harsh backdrop
of south western Texas in the 1980s. Armed with a most wonderful and
surprisingly deep script as well as harsh violence and brilliant performances,
it really is an amazing film.
A retired welder and Vietnam veteran stumbles
upon the bloody aftermath of a Mexican standoff, a pick up truck loaded with
heroine, and two million dollars in cash. Unable to resist the temptation, he
takes the briefcase of cash and unwitting sets into a motion a fatal three-way
game of cat-and-mouse with a homicidal hitman on his tail out to reclaim the
money, and a south western sheriff one step behind both of them.
On the
surface, the film is your classic Coen-esque black comedy, delicately treading
that fine line between comedy and thriller. The simple story of one man making
one fatal mistake, thus setting violent and brutal wheels in motion, is a
scenario that we see, however altered, in many Coen movies. What I particularly
like about this film is its duality. On the one hand, the movie is a thrilling
game of cat-and-mouse with the majority of the major conflicts taking place
between the hero and the villain with the law right on their tail. But then on the
other hand, the film has a much softer and deeper meaning as is conveyed
through the character of the sheriff. The film puts forth some intriguing and
poignant statements about the fragility and flaws of manhood and, more
strongly, the changing times and a growing generation barrier mainly caused
through lack of understanding. In a voice-over at the beginning with Tommy Lee
Jones, we hear him say
“ The crime you see
now, it’s hard to event take its measure. It’s not that I’m afraid of it. I
always knew you had to be willing to die to even do this job. Not to be
glorious. But I don’t want to push my chips forward and go out and meet
something that I don’t understand.”
That line is very reflective the film’s meditative overtones
and it clearly conveys the deeper meaning of the film’s title. The script was
absolutely wonderful and at the same time sort of ironic. Set against the harsh
south western backdrop of Texas, and as such all lines spoken with the strong
southern accent, to hear these rugged and coarse characters speak reflectively
and meditatively is really beautiful and really deep. It’s fantastic.
The movie
scooped up a handful of Academy Awards including Best Picture, Best Director,
Best Adapted Screenplay, and Best Actor in a Supporting Role. I must draw
attention to that final one because Javier Bardem who won the award delivered a
most sinister and mesmerising performance. The sheriff describes his as “a
ghost” and there is no greater way to put it. He did the role so perfectly with
no emotion, no understanding, it really was as though he was just this lifeless
thing in the shape of a man. Stunning, ABSOLUTELY STUNNING and spooky to no
end.
Starring Josh Brolin, Tommy Lee Jones, Kelly Macdonald, and Woody
Harrelson, No Country For Old Men is
a brilliant film that’s filled with action, violence, and suspense. It’s not
for the faint-stomached to be sure, there is some nasty violence that takes
place, one particular bout that won’t make us look at air compressors in the
same way ever again, but it really is a fantastic film!
No comments:
Post a Comment