A hired thug and a
private detective cross paths on their jobs of finding and protecting a young
girl. Originally on opposite sides, the two are required to team up when it
becomes apparent that their girl is involved in something very large and very
dangerous. Three people associated with her are dead and she’ll be next if they
can’t cut through the web of politics and pornography that surrounds her.
With
the complex whodunit done story of a 1930s detective thriller and the vibrant
aesthetic of a 1970s action comedy, The
Nice Guys is a film that is quite enjoyable upon first viewing, but would
probably require a second or third watch before you can come to a definite
conclusion about whether you liked it or not.
The intrigue of the film comes in
the many-tiered detective story of pornography and politics. From beginning to
end you’re watching and listening intently to try and pick up some crucial
detail or key clue that will tie everything together and make it all make
sense.
On top of that, you’re trying to keep the continuing running list of
characters clear in your head. This really is like a 1930’s Bogart detective
movie where there are so many characters and so many different groups of
characters that are all intertwined in this one big conspiracy, even though
many of them are from opposite ends of the spectrum. This is why I say that a
second or even third watch might work as something of a benefit.
Another
element of the movie that keeps bums in seats and eyes on the screen is the
1970s aesthetic. The set design and costume design departments must have had
some real fun creating these vibrant and expressionistic costumes, especially
those featured in the main party scene. We have naked women painted over in
beautiful patterns with golden and glittering body paints, we have the sharp
turtleneck skivvies with the red patent leather jackets and pants, paisley
shirts with lethal collars, classic Aviators, not to mention every popular
hairstyle is represented from the floppy mop look to the fluffed out afro. It’s
all pretty fantastic.
And the third source of enjoyment in this movie is the
performances from our leading duo of Russell Crowe and Ryan Gosling. The two
bounce very well off each other without being like chalk and cheese. Crowe deepens
and gruffs out his voice and suddenly he’s this intimidating thug with just a
hint that he might have a heart of gold. Gosling provides more of the comic
relief as the greedy, drunk, and completely off the rails private detective who
is trying to be a decent father. Both actors deliver their performances with
feeling and each has a solid presence that commands the scenes they’re in.
However, this movie is not without some ifs and buts. For a start, whilst the
story is intriguing in its layers and complexity, there are times when you are
at a bit of a loss as to what’s going on and there are so many curve balls
thrown at us without any real information dumps that it sometimes proves tricky
to follow everything that’s happening.
Also too, both Crowe and Gosling’s
characters didn’t really get as much exhibition as they could have. What I mean
by that is that we have these two characters that are both haunted by their own
torments that make them actually not very nice guys, but the audience is never
really let in on those torments and we don’t ever get a clear sense of why
these guys are as they are. We get some hints that pique our interest, but no
real development or follow through and what that results in is these two
characters that give the inflection that they are complex, but really all we
get to see is one side of their personality and both their character arcs are
pretty small and uninspiring.
You like both of these guys fine, but because we
don’t really get to know them it’s hard to form an emotional attachment.
Starring Angourie Rice, Matt Bomer, Margaret Qualley, Yaya DaCosta, Beau Knapp,
Lois Smith, Murielle Telio, Daisy Tahan, Gill Gerard, Keith David, and Kim
Basinger, The Nice Guys is a fun and
rollicking movie that delivers all the thrills of a detective thriller and
action comedy, but is far from being perfect. Filled with action, violence,
drama, reluctant heroes, and comedy, it’s a bit of a cross between The Big Sleep and Boogie Nights.
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