The lives of the Bowen family are already in a little bit of
turmoil with Eric being out of work and Amy being a full-time at-home mum, but
they get thrown into greater trouble when they move to a house in the suburbs.
Young Griffin is the first to notice the spookiness of the house, but the rest
of the family doesn’t believe in his fears. That is until one night when the
floor opens up and a hand grabs Kendra the eldest, a tree rips through the roof
and attacks Griffin, and little Madison disappears completely. With the help of
some paranormal experts, the Bowens discover that their house is infested with
angry poltergeist, hell-bent on keeping little Madison for their own.
Steven
Spielberg’s Poltergeist is probably
one of the hardest movies to screw up. You’d have to really set your mind to it
if you wanted to achieve that feat. However, I actually was quite impressed
with this version. As a horror moving standing on its own it’s pretty solid,
building up suspense and tension really well and delivering many sudden shocks
and frights. As a remake, it was quite close to the original, changed ever so
slightly to make it that little bit different and not a horrible carbon copy of
a classic (which has been done before, check out Gus Van Sant’s Psycho). I was actually quite impressed
with this movie.
The lives of the Bowen family are already in a little bit of
turmoil with Eric being out of work and Amy being a full-time at-home mum, but
they get thrown into greater trouble when they move to a house in the suburbs.
Young Griffin is the first to notice the spookiness of the house, but the rest
of the family doesn’t believe in his fears. That is until one night when the
floor opens up and a hand grabs Kendra the eldest, a tree rips through the roof
and attacks Griffin, and little Madison disappears completely. With the help of
some paranormal experts, the Bowens discover that their house is infested with
angry poltergeist, hell-bent on keeping little Madison for their own.
As I said
before, it’s pretty hard to ruin Poltergeist
because it deals with themes that are always going to have an impact on an
audience, the biggest and probably scariest being the abduction of children. What
I liked about this version was how they gave more of a story to Griffin, the
middle child and only boy, who is obviously suffering somewhat from those
statuses. Where the mother was the limelight of the original, Griffin is the
real hero and I like that they gave his character a story and an arc.
As
remakes or adaptations go, this is a pretty close one with some of the dialogue
from the original movie making its way in there (not just the iconic line of
“they’re here”). Taking place within modern day America, the spookiness of the
poltergeists is actually amplified and the suspense further established because
there is all this modern technology that they can mess with and it’s not just
them speaking through the white noise on the TV. Phones, iPads, and huge smart
TVs take on the creepy white noise gloss, establishing the horror faster and
also making a point that no area of the house is safe.The sound, I noticed,
was a very important part of this movie with everything being amplified: the
white noise, the distorted music from headphones, bangings, gurglings, electric
shocks, and of course the storms and drawstring sound of toys. At times I
thought it was a little bit too much and I have to admit that, whilst it worked
for the big sudden scare sequences, for the most part it took away a bit of the
realism and we lost a bit of that voyeuristic pleasure in looking into a
different world because the sound is so close and loud it’s almost internal. I
wasn’t so jazzed with that.
The performances were pretty so-so; the real star
of the show, as I mentioned before, was Griffin, and whilst Jared Harris’ character
comes into the mix and provides a good dose of information dumping and comic
relief, the performances were nothing to rave about. Sam Rockwell, who I
believe is a great actor, was a bit flat here and his character was hinted as
having been given an arc but halfway through he sort of fell on his face,
almost like the writers worked out that it wasn’t flying and so they just
dropped it.
As I said before, the story is changed up a little so it’s not
identical to the original and I thought this was a good move. One major point
of interest is that we actually get to see the world in which Madison gets
trapped and I really liked this because it solidified Griffin’s story about
bravery and such.
Starring Sam Rockwell, Rosemarie DeWitt, Saxon Sharbino, Kyle
Catlett, Kennedi Clements, Jane Adams, Susan Heyward, Nicholas Braun, and Jared
Harris, Poltergeist was a spooky and
impressionable horror movie and worked quite well as a remake. Filled with the
supernatural, action, romance, drama, suspense, violence, horror, and comedy, I
was fairly impressed with it and quite enjoyed it.
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