After the loss of his wife and daughter, Doctor Adrian has
become obsessed with finding a cure for polio. When his experiments with spinal
fluid prove successful in animals it’s time to turn his attentions to Francis,
a young friend of his who suffers from the disease. But halfway through the
treatment, the doctor’s serums run dry and he needs human spinal fluid in order
to proceed. Opportunity knocks when a giant ape escapes from the circus and
kills his trainer, then proceeds to prowl and terrify the town.
So it wasn’t
until ‘the end’ flashed up on the screen that I actually understood what the
hell had happened in this movie. For the majority of it, I was thinking ‘this
is two entirely separate stories’. But it comes together at the end, which I
suppose is the least the film could do after subjecting its audience to a
person in a bad gorilla costume (which was wholly unterrifying) and a generic and uninspired central plot line.
After
the loss of his wife and daughter, Doctor Adrian has become obsessed with
finding a cure for polio. When his experiments with spinal fluid prove
successful in animals it’s time to turn his attentions to Francis, a young
friend of his who suffers from the disease. But halfway through the treatment,
the doctor’s serums run dry and he needs spinal fluid in order to proceed.
Opportunity knocks when a giant ape escapes from the circus and kills his
trainer, then proceeds to prowl and terrify the town.
I think I spent a good
portion of this movie over-thinking it, but in all honesty what else are you
going to do when something is as flavourless and generic as this? At one point
I was thinking, ‘hmm maybe this is some horrible and loose adaptation of Edgar
Allan Poe’s The Murders in the Rue Morgue’,
but it really wasn’t. There was a real weakness in the central plot: firstly,
it was generic and pretty terribly clichéd. Secondly, there was the potential
for some real drama, tension, and emotion to be packed into it, which just
wasn’t at all and that got me kind of annoyed. Thirdly, it’s a tall order
having an ape as a horrifying monster. Poe managed to do it well in the
aforementioned short story and King Kong had the size factor going for him so
it succeeded there. This was just a guy in a gorilla suit! Wholly unscary, in
fact more lacklustre and laughable than anything else, and when the switch
comes about (I don’t want to give away too much), it happens so quickly that
you could miss it in the blink of an eye, which apparently I did!
The performances
are all pretty so-so, it’s a smaller B-grade flick so there really isn’t a lot
to report on that front and the editing was a right shambles with scenes
changing in a jarring way and sometimes whole chunks of dialogue being cut off
midsentence. Amateurs, just amateurs everywhere.
Starring Boris Karloff, Maris
Wrixton, Gene O’Donnell, Dorothy Vaughn, Gertrude Hoffman, Henry Hall, and
Selmer Jackson, The Ape is a pretty
tame and lacklustre flick filled with ‘action’, ‘drama’, ‘suspense’, romance,
and ‘horror’. At the end of the day, sometimes it’s good to watch films that
are this boring or bad because it can give you a stronger appreciation then for
cinema that is good, so there’s that
silver lining!
No comments:
Post a Comment