When beautiful exotic dancer, Jeanette, is left horrendously
scarred after a car crash, there seems to be little reason left to live. That
is until a scientist who has discovered a miracle treatment that can revive
damaged and even deceased cells approaches her. She has the treatment and it’s
a success, but only temporarily. Having fallen madly in love with Jeanette, the
scientist resorts to unethical, even horrific means by which to make the cure
permanent. With suspicions mounting in Jeanette’s boyfriend and the police
closing in, time is running out for the scientist to find the cure and win
Jeanette’s heart.
One of the more esoteric horror films in cinematic history, Atom Age Vampire nevertheless swings
with a bit of force, landing a fair few shots right in the face that leave the
ears ringing. Special applause has to go to all the ladies that delivered such
great screams and the makeup effects, which were really quite impressive and
added to the horror factor.
When beautiful exotic dancer, Jeanette, is left
horrendously scarred after a car crash, there seems to be little reason left to
live. That is until a scientist who has discovered a miracle treatment that can
revive damaged and even deceased cells approaches her. She has the treatment
and it’s a success, but only temporarily. Having fallen madly in love with
Jeanette, the scientist resorts to unethical, even horrific means by which to
make the cure permanent. With suspicions mounting in Jeanette’s boyfriend and
the police closing in, time is running out for the scientist to find the cure
and win Jeanette’s heart.
There was something about this flick that was a bit La Belle et la Bete and a bit Dr. Jekyll and Mr. Hyde. All together
pretty enthralling, with just the right amount of predictability in terms of
the story and structure, Atom Age Vampire
explores the darker side of obsession. Our heroine seeks untested medical
advice out of her obsession to get her beauty back and all sorts of horrible
things happen at the hands of the scientist, stemming from his various
obsessions of bringing about a successful miracle cure and keeping Jeanette for
himself.
It’s particularly interesting because the title is actually kind of
misleading. Contrary to what the word ‘vampire’ connotes, there is no
bloodsucking, no shape shifting into mist or bats, and no coffins. The term
‘atom age vampire’ actually refers to the night time murders and the inhuman
monstrousness of vampires: their strength to kill and lack of morals or
empathy.
Whilst some of the women need betterment in the ways of their acting,
i.e. the heroine/damsel in distress, the men bring a passion and drama to the
film that successfully keeps eyes on screen. Alberto Lupo who stars as our
tortured mad scientist delivers a wonderfully captivating performance brimming
with gravitas, drama, desperation, romance, and irrepressible drive. An
unstoppable force is what this man is.
I also want to give a shout out to the
make up and special effects people because the marriage of the two worked to
great effect in this film. The transformation sequences are actually pretty
creepy and it’s all done in a slow crescendo to really heighten the suspense
and terror. Considering this is an early 60s film, it’s actually pretty
impressive.
Starring Susanne Loret, Sergio Fantoni, Franca Parisi, Roberto
Bertea, Andrea Scotti, and Ivo Garrani, Atom
Age Vampire is a thrilling old classic filled with murder, drama,
obsession, romance, suspense, and horror. It’s great to go back and watch some
of these really old esoteric types of horror flicks because some of them can
still manage to pack a punch.
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