The fresh recruits at Parris Island are there to be trained
as Marines: so they can fight for freedom and kill for their country in
Vietnam. Ready to face the dehumanizing challenges of war Joker, Animal Mother,
Eightball, Cowboy, Pyle, and their fellow men must first survive the challenges
and trauma of their training camp hell where the abusive sergeant Hartman is
all about breaking them entirely before building them up again as emotionless
killing machines.
A glowing comment on the back of this DVD cover promotes this
movie as “the best war movie ever made” and I have to admit that I am inclined
to agree. After various representations of the Vietnam War from Coppola’s Apocalypse Now to Stone’s Platoon and Cimino’s The Deer Hunter, Kubrick’s Full Metal Jacket sits as a Vietnam War
film just off centre, wandering in its own direction in its own little world.
What makes this movie stand out for me is the fact that it’s a completely
different look at the war. None of the action or the battle sequences take place
in the jungle with “Asian orange sunsets through the scrubs”, but in completely
pulverised towns and urban spaces as well as the first half being set in the
training camp: spaces that we never saw pictures of in the history books. This is what makes this movie special!
The fresh recruits at Parris Island are there to be trained as Marines: so they
can fight for freedom and kill for their country in Vietnam. Ready to face the
dehumanizing challenges of war Joker, Animal Mother, Eightball, Cowboy, Pyle, and
their fellow men must first survive the challenges and trauma of their training
camp hell where the abusive sergeant Hartman is all about breaking them
entirely before building them up again as emotionless killing machines.
Based
on the novel, The Short-Timers by
Gustav Hasford, Full Metal Jacket is
a thrilling and captivating exploration into the dehumanizing effect of trauma
and war. There are many examples of characters that cease to be men and turn
into psychotic or emotionless killers: the two most poignant being the
transformation of sweet, pudgy private Pyle into a manic ape-man with a stare
that echoes that Alexander DeLarge in A Clockwork Orange and Jack Torrence in The Shining and the climactic first kill by Private Joker who wears a ‘peace’
symbol as well as the slogan ‘born to kill’ on his helmet to highlight
conflicting duality of man.
All the performances are top-notch with a special
mention having to go to R. Lee Ermey who stars as Sergeant Hartman. With his
ever-flowing, graphic and inventive stream of verbal torments and soul-crushing
insults, this is a guy you don’t want to mess with! Here’s just a little taste
of what he’s like:
“I bet you’re the kind of guy who would fuck a person in the
ass and not even have the goddamned common courtesy to give them a
reacharound!”
Enough said really. The script is packed to bursting with wondrous
and unheard-of torrents of abuse and stuff like this. It’s wonderfully written!
I want to also give a quick shout-out to the soundtrack here because it’s
another thing in this movie that makes it awesome! I personally lost my shit
when ‘Surfing Bird (The Bird is the Word)’ by the Trashmen came on! It’s the
last song ever that I’d pick to work in a war movie, but Kubrick pulled it off!
Starring Matthew Modine, Adam Baldwin, Vincent D’Onofrio, Dorian Harewood,
Arliss Howard, Kevyn Major Howard, Ed O’Ross, John Terry, Kieron Jecchinis,
Bruce Boa, Kirk Taylor, Jon Stafford, Tim Colceri, and Ian Tyler, Full Metal Jacket is a brilliant movie
packed with war, trauma, drama, violence, bloodshed, and comedy. I personally
found it a really refreshing depiction of the Vietnam War and as such, it
stands aside from other wartime epics. I would highly recommend it!
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