Will, a young stockbroker, makes a bet with his wealthy
banker friend Angus: who can make the most money in 90 days? For Will, the bet
offers him not just the opportunity to win $100,000, but also the chance to
prove that he is every bit as capable and good as the ivy leaguers. But soon
Will’s egocentric desperation to prove his worth turns the bet into an
obsession and somehow everyone within Will’s circle of friends is involved.
In
true underfunded and underappreciated Australian cinema style, this movie was
only shown in selected cinemas when it was released. That’s very telling of the
view on Aussie movies in this day and age isn’t it? It turns back on you really
because Australian movies are characterised by their modest budget and their depictions
of Aussie culture, which is now something that even Australians don’t want to
see. One journalist once famously compared Australian movies to a visit to the
dentist! I cannot begin to explain how a) unpatriotic and unsupportive that is
and b) how infuriatingly influential it is at the same time. Because national
and international appreciation of Australian cinema peaked in the 70s and 80s
and then came tumbling back to earth with more speed and gravity force than a
led balloon, quite a few Aussie films (those made on potentially nothing and
not harbouring a “star-studded” cast) are only released at home in selected
cinemas and it falls to the few supportive patrons to generate the film’s
income and appreciation by word of mouth. Yes the cinema may be a floundering
recreational pastime because ticket prices continue to escalate, but more than
three quarters of Australia’s population goes more than once a year! Why then
would you not release home grown gems like The
Bet within the mainstream cinemas in Australia? I’m sure there’s a heap of
people outside the walls of my bedroom that don’t even know this movie is in
existence and this is where the whole sadness comes into play.
Will, a young
stockbroker, makes a bet with his wealthy banker friend Angus: who can make the
most money in 90 days? For Will, the bet offers him not just the opportunity to
win $100,000, but also the chance to prove that he is every bit as capable and
good as the ivy leaguers. But soon Will’s egocentric desperation to prove his
worth turns the bet into an obsession and somehow everyone within Will’s circle
of friends is involved.
This is a great movie. It’s simple, modest, the power
is in the writing and performances, and the story is real. This is the kind of
real-life horror that happens to people quite possibly on an annual basis. The
story itself is a mixture of popular genre traits such as the Western
gunslinger or the cavalier period duel except that swords and guns are replaced
with money and egos. Alongside the fight-to-the-finish story, we have this
great underlying battle of morality and the fragility/corruption of the
rational mind. What this movie does is engagingly depict the complexity of
being human by highlighting the confrontations that happen on a daily basis between
the id, the ego, and the superego. And because we can all relate to this movie
on practically every level, this is
where its power lies.
Amidst being a brilliant and engaging film in terms of
story, The Bet doesn’t shy away from
Australian cinema’s most defining trait: projecting Australian culture. In this
case, the movie is set in the sophisticated and career-driven metropolis in the
heart of Sydney where society’s fuel is money. There is a deliberate lack of
colour used that creates this driven atmosphere so immeasurably well: even in
the homes of lovers away from work there is use of minimal colour that goes
hand in hand with a harsher and colder lighting, which not only creates
atmosphere but is also very telling about who these people are. It’s simple
tricks like this that now set Aussie movies apart from others. Whilst on the
surface they might seem modest and lacking in a visual wow-factor, they make up
for this with brilliant stories that grip you. There is no need for bells and
whistles and computer wizards when you’ve got a strong story and a strong cast to
carry it off.
Matthew Newton, who stars as Will, deserves a mention at this
point. It’s so horrible what has happened to him and his career because he is a
real talent. Here he delivers a performance that I think everyone on some level
can relate to. He’s charming, slightly egocentric, ballsy, and then he’s so
sincere and vulnerable as well. I think there’s a fair bit of complexity to his
character and Matt did the role really well.
Starring Aden Young, Sibylla Budd,
Tim Richards, Rick Cosnett, Anthony Harkin, Alyssa McClelland, Peta Sergeant,
Paul Gleeson, and Roy Billing, The Bet
is a great movie filled with determination, risks, egos, drama, obsession,
suspense, and romance. It’s a true underappreciated Aussie classic and deserves
some recognition.
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