Tired of the pomp and endless string of duties and schedules
that dictate her life, European Princess Ann slips out from under her handlers’
control one night under the guise of an everyday girl and rebels against her
royal obligations by exploring Rome by herself. She then crosses paths with
news reporter Joe Bradley who, sensing an ultimate scoop pretends to not know
her true identity, which she endorses. Joined by Joe’s eager cameraman, the
trio make the most of their day together, but Joe’s plans for the story change
when he realises that he and the Princess are falling in love.
Oh what a lovely
little movie this is. Nominated for 10 Academy Awards and walking away with
four, including Audrey Hepburn’s for Best Actress, Roman Holiday is a gorgeous little fairytale and anti-fairytale
that remains to this day an original and different type of romantic comedy. In
all the movies that I’ve seen, particularly all the romantic comedies that I’ve
seen, none have ever ended the way this one has and it’s for this reason that
this movie will stay with you and stand out amongst all the other movies of the
genre. If you’re now intrigued as to what I’m talking about, run down to your
local Blockbuster right now and grab yourself a copy because I’m not here to
give anything away, this movie is far too special.
Tired of the pomp and
endless string of duties and schedules that dictate her life, European Princess
Ann slips out from under her handlers’ control one night under the guise of an
everyday girl and rebels against her royal obligations by exploring Rome by
herself. She then crosses paths with news reporter Joe Bradley who, sensing an
ultimate scoop pretends to not know her true identity, which she endorses.
Joined by Joe’s eager cameraman, the trio make the most of their day together,
but Joe’s plans for the story change when he realises that he and the Princess
are falling in love.
I mentioned earlier that this movie is both a fairytale
and an anti-fairytale and here’s why. It’s a fairytale in the story of Audrey
Hepburn who features in her first leading role as Princess Ann. Having only
done a few minor roles and a role on Broadway before being cast as the leading
lady, Audrey became a real life Cinderella with this movie as, practically
overnight, she was catapulted to the top of Tinseltown. It’s no wonder why
because she really does shine, even more so than her sequined gowns and
jewellery. Her portrayal of a modern Princess was wonderful because it was
real. Innocence and naivety wasn’t caricatured or over-exaggerated to get the
laughs, the whole thing was very natural and genuine and really, really lovely.
The anti-fairytale aspect of the movie comes in the original story by Dalton
Trumbo. The romantic elements are all there: the differences in social standing
as well as country differences, the devious bet and the hidden and
not-so-hidden truths, and of course the one magic day that changes everything.
What Trumbo does is not set it up to have a fantasy ending whilst at the same
time not priming the audiences to be saddened or tearfully joyful when the
credits roll. However the movie ends, you know it works and you’re unfazed by
it because you’re not expecting a
particular ending. It’s very clever writing.
Starring Gregory Peck who is
always gorgeous, Eddie Albert, Hartley Power, Harcourt Williams, Margaret
Rawlings, Tullio Carminati, Paolo Carlini, and Claudio Ermelli, Roman Holiday is a gorgeous and
completely original little movie filled with defiance, glimpses of two worlds,
drama, romance, and comedy. Shot entirely on location in Rome it’s absolutely
lovely and beautiful way to spend an afternoon.
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