British aristocrat, Sarah Ashley, travels to Australia on
the brink of WWII to check in on her husband in a cattle station in the north
called Far Away Downs. She arrives however, to discover that her husband has
been killed and the precious cattle are in the midst of being smuggled from her
property onto that of competing cattle tycoon, Carney. Determined to prove
herself, she joins forces with a sun-hardened drover and the irresistibly
charming half-caste child Nullah to drive the remaining herd across the most
unforgiving terrain to Darwin. Along the way loves form and they become a
family, but when their world is torn apart by powerful forces will their love
and songs be strong enough to help them find each other again amidst the
bombing of Darwin?
From memory, this movie got mixed reviews when it was
released and to this day there are a hefty number of people who roll their eyes
and whine about how boring, long, and uninspired this movie is. Me? I take
quite the opposite view. I greatly enjoyed this movie the first time I saw it.
I loved the performances, the story, the characters, and all the allusions to The Wizard of Oz. I thought this movie
was something really special and don’t you want to know why?
British
aristocrat, Sarah Ashley, travels to Australia on the brink of WWII to check in
on her husband in a cattle station in the north called Far Away Downs. She
arrives however, to discover that her husband has been killed and the precious
cattle are in the midst of being smuggled from her property onto that of
competing cattle tycoon, Carney. Determined to prove herself, she joins forces
with a sun-hardened drover and the irresistibly charming half-caste child
Nullah to drive the remaining herd across the most unforgiving terrain to
Darwin. Along the way loves form and they become a family, but when their world
is torn apart by powerful forces will their love and songs be strong enough to
help them find each other again amidst the bombing of Darwin?
What Baz Luhrmann
has so bravely attempted to resurrect is a love for Australian cinema. What
defines ‘Australian cinema’? It’s depictions of Australian culture. Right from
the very first movie, Australian cinema has always been culture-oriented, the
problem them becomes (why so many people roll their eyes when you mention Australia) that the time of
Aussie-appreciation is over, even Aussies don’t want to see their culture on
screen anymore and that’s the tragedy. Our cinema’s heyday was back in the 70s
and 80s when the world was going through a stage of Ozploitation. People
couldn’t get enough of the Aussies. But, like any fashion, it passed out of
style. I stand up and claim proudly that Baz Luhrmann’s Australia is a beautiful depiction of culture and life as well as a
brave and I think relatively successful resurrection of Australian cinema.
Luhrmann knows who to make a good film. He knows all the right places to put
romance, drama, death, and comedy and all this shines through just as much in Australia as in Moulin Rouge! or Strictly Ballroom. Your emotions are given a good ride in this movie, beginning with
the funnily contrasting chemistry between Nicole Kidman and Hugh Jackman.
Nicole as Sarah Ashley is a very good fit and begins the movie providing much
of the comic relief before going on this really rather intriguing journey of
self-discovery and change.
Contrasted with Hugh who is just the walking
depiction of true-blue Aussie. As the Drover, Hugh really conveys that
romanticism and beauty that underlies the Aussie character of the rough-edged
outback rogue. And, I’m just being honest and putting it out there, I don’t
think I’ve ever found him as sexy as when I watch this movie. Animal mag-ni-tism! Every time he’s on screen, the
blood gets hotter and the breath faster and heavier. Sexy man.
But the real star
of the show is little Brandon Walters who stars as the half-caste boy Nullah.
Brandon delivered a performance that was instantly enchanting, so much so that
you really do believe he’s a ‘magic man’. He holds this movie together and
instils it with a tremendous sense of innocence, unity, and love. He’s beautiful.
I wish to also give a special
mention to David Wenham who plays the villain, the real villain. I have a real
love of David and he’s really good in this movie because he’s so rough and
evil, yet I still couldn’t bring myself to hate him. I still wanted him to
feature more on screen.
The soundtrack’s a wonder to behold too, with the Wizard of Oz theme coming into strong
play as many of the tracks are based on ‘Somewhere Over the Rainbow’, adding
another layer of romance, love, and nostalgia to the movie.
Starring Bruce
Spence, Jack Thompson, Tony Barry, Bryan Brown, Lillian Crombie, Essie Davis,
Bill Hunter, Jacek Koman, Ben Mendelsohn, David Ngoombujarra, Ursula Yovich,
and David Gulpilil, Australia is a
fantastic movie filled with comedy, drama, beautiful Australian scenery,
hardship, and romance. It’s an enchanting and staggering piece of Australian
cinema that I think we should be proud to have in our repertoire.
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