"Remember, remember the
fifth of November: the Gunpowder Treason and plot. I know of no reason why the
Gunpowder Treason should ever be forgot."
In an England ruled and
unknowingly repressed by its Government a working-class girl named Evey is
caught outside after curfew by finger men who proceed to administer their brand
of justice. She is rescued by a charismatic and poetic freedom fighter who
wears a Guy Fawkes mask and refers to himself only as V. V invites Evey to
listen to a little music with him and he takes her to a rooftop where she
witnesses his destruction of an iconic British landmark, marking the start of
direly-needed revolution. England and its High Chancellor, Sutler, have one
year to capture the now-labelled-terrorist V, and when Evey’s path entwines
with V’s a second time, she must make the decision as to who is the hero, who
is the villain, and does she have the courage to do her part for the greater
good?
This is a very important review for me everyone. THIS IS MY 1000TH
REVIEW! I can hear the 1812 overture! Quite a while ago, I decided that for my
1000th review, it would have
to be V For Vendetta. Let me tell you
why. If I was to be placed in a life or death situation and my only hope of
escape was to choose an all-time favourite movie… it would be this one. There
are quite literally no words to describe how much and how irrevocably I adore
this movie! Every time I see it, I
find something else, something new, in it that brings more meaning and more
emotion and more brilliance to the symbolism, the action, the drama, the
politics, the romance, and everything.
For me, this film goes beyond the realms of genius: something about it is always new, you can look at it from any
angle, it’s an English students most delicious dream in terms of motifs and
symbolism, and even after multiple viewings it still has the power to make its
audiences really think. In my
opinion, it is just the most memorable and brilliant cinematic achievement and
I say this without embellishment, without gush, I say it simply and without
blinking. The greatest film in the world I
live in…is V For Vendetta.
In an
England ruled and unknowingly repressed by its Government a working-class girl
named Evey is caught outside after curfew by finger men who proceed to
administer their brand of justice. She is rescued by a charismatic and poetic
freedom fighter who wears a Guy Fawkes mask and refers to himself only as V. V
invites Evey to listen to a little music with him and he takes her to a rooftop
where she witnesses his destruction of an iconic British landmark, marking the
start of direly-needed revolution. England and its High Chancellor, Sutler,
have one year to capture the now-labelled-terrorist V, and when Evey’s path
entwines with V’s a second time, she must make the decision as to who is the
hero, who is the villain, and does she have the courage to do her part for the
greater good?
This movie is based on a graphic novel illustrated by David Lloyd
and published by Vertigo/DC Comics and the Wachowski brothers, who famously
brought us The Matrix, wrote the screenplay. The Wachowski brothers, it has to
be said, have done an immaculate and almost demigod-esque job in creating this
extraordinary action political thriller that is so perfectly balanced between
stories and genres. I think the film can best be described as this gargantuan
and intrinsic spider’s web of all these different little stories that
intertwine and interlink with each other to create something that is very
beautiful. At a glance, the main story is a political one: the story of V
getting the country to realise that it shouldn’t be afraid of its Government,
in fact quite the reverse. But then we have these other stories that proceed to
give the film its beautiful shape. We have an action-packed and murderous
revenge story of V paying back those who had a hand in his history. We have the
story of Evey, an unlikely and at times ironic heroine; her story becomes one
of self-discovery as well as the romantic tale between her and V. And then we
have the detective thriller story as a certain detective becomes so immersed in
the case to find V that he stumbles upon something else… something much bigger
and more disturbing.
I really adore too, the fact that this is set in a
futuristic England with a political system that is basically a dictatorship. I
find the paradoxes outlined in this film, particularly the reversion to the
most basic of political systems in a time that is so far ahead of now, to be
most thought-provoking and these jabs at the world of politics and leadership provide
a strong dramatic, thrilling, and even comedic pedestal on which this film
stands.
All throughout the movie we have these characters that are all wearing
their own versions of masks and this is where symbolism takes centre stage.
What I particularly love about this
movie is the fact that almost everything in it has double, triple, or even
quadruple entendres and it is so
wonderful to see them and think one thing, and then see some other pivotal
moment and suddenly they mean something else entirely. The screenplay was
ABSOLUTELY BRILLIANT, I cannot stress that enough!
We were all blown away by
the special effects of The Matrix and
to be honest, V For Vendetta doesn’t
really hold a candle to the awesomeness of those action sequences, but it does
spark a match. The slow motion to indicate incredible speed is just
breathtaking, it brings a beauty and a grace to all fighting sequences within
this film, making it all the more irresistible.
And then we have the
performances! HOLEY RUSTED METAL BATMAN the cast and the performances from all
of them were absolutely incredible!
Natalie Portman stars as Evey and she is just so beautiful. She delivers a performance that is conflicted,
romantic, and really brave. She’s
captivating from start to finish.
But the real star of the show is Hugo Weaving
who stars as V. This was an interesting film for Hugo to do I think and I don’t
know if anyone could have done a better job. It would have been incredibly easy
and even tempting to over-romanticise and over-poeticise the character of V,
but Hugo toed the line with the utmost poise and balance. It’s important to
note that he conveys so much emotion
and he spends the entire film wearing a mask. That’s the mark of a truly great actor. Watching Hugo in this
film, I have never been so proud to
be an Aussie. In this film, I bow, I scrape, I grovel, at the feet of Hugo
Weaving! The cast itself is a most brilliant one, featuring a healthy mix of
stars.
Starring Stephen Rea, Stephen Fry, Rupert Graves, Tim Pigott-Smith,
Roger Allam, Ben Miles, Sinead Cusack, Natasha Wightman, John Standing, Eddie
Marsan, and John Hurt, V For Vendetta
is, without a doubt in my opinion, quite simply the BEST. FILM. EVER! Filled
with action, politics, symbolism, drama, romance, beauty, art, comedy, a most
wondrous script, and immortal performances, it’s a true marvel in cinematic
history and if I were to write my own list of 1001 films you have to see before
you die, this would be at the very top! I say all of this simply and without
embellishment, without gushing, and without blinking. THIS. MOVIE. ROCKS. LIKE.
A. HURRICANE!
"Voila! In view a humble
vaudevillian veteran cast vicariously as both victim and villain by the
vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of
the vox populi now vacant, vanished. However, this valorous visitation of a
bygone vexation stands vivified and has vowed to vanquish these venal and
virulent vermin vanguarding vice and vouchsafing the violently vicious and
voracious violation of volition! The only verdict is vengeance, a vendetta held
as a votive not in vain for the value and veracity of such shall one day
vindicate the vigilant and the virtuous. Verily this vichyssoise of verbiage
veers most verbose so let me simply add that it’s my very good honour to meet
you and you may call me V."
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