The Freelings are a happy family living in suburbia. They
are even happy when they discover that they have an infestation of whimsical
poltergeist that play stack-the-chair games in their kitchen. But then things
go to a darker level when a storm hits, a tree attacks their young son, and
their youngest daughter Carol Anne is whisked away into a spiritual void.
Bringing in the help of some professionals to get their daughter back, the
Freeling household soon suffers a series of horrors that threaten to tear their
happy family apart, almost quite literally.
A tad tamer than his acclaimed
horror classic, The Texas Chainsaw Massacre, Tobe Hooper’s Poltergeist
is nevertheless a ghost movie in the realm of classics, bringing us iconic
freaky scenes such as the clown under the bed and the tree that literally
reaches in and tries to swallow the boy. Not to mention the whole TV thing and
the little girl: “they’re here.”
The Freelings are a happy family living in
suburbia. They are even happy when they discover that they have an infestation
of whimsical poltergeist that play stack-the-chair games in their kitchen. But
then things go to a darker level when a storm hits, a tree attacks their young
son, and their youngest daughter Carol Anne is whisked away into a spiritual
void. Bringing in the help of some professionals to get their daughter back,
the Freeling household soon suffers a series of horrors that threaten to tear
their happy family apart, almost quite literally.
This has to be one of the
most interesting films made in the way of director producer relationship. Tobe
Hooper is the credited director, but it’s obvious that Spielberg had a strong
hand in the whole thing. The movie is very family-oriented and balanced between
the suspense of horror and the nostalgia of suburbia, that feeling that just
seems to be apparent in all Spielberg’s films. Had Spielberg had complete
freedom, it can be assumed that the movie would not have proved to be the
spooky and genuinely iconic horror movie that it became.
And here we must
applaud Hooper’s input on the project. With a little indulgence in the macabre
such as the skeletal corpses in the swimming pool and the research assistant
pulling off his own face, which successfully freaked me out a bit, Hooper was
able to take a seemingly mild and childish horror and turn it into a horror
movie that had something for everyone. The balance of suspense and gore was
very good and the special effects, though dated by today’s standards, were ones
that will definitely stay with you.
Starring JoBeth Williams, Craig T. Nelson,
Beatrice Straight, Dominique Dunne, Oliver Robins, Heather O’Rourke, Martin
Casella, Richard Lawson, Zelda Rubinstein, and James Karen, Poltergeist was a thrilling little movie
filled with suspense, gore, horror, the supernatural, emotional drama, and even
a bit of comedy, though that was very, very mild. Although a bit dated, it
still spooked me.
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