Axel Foley is a street smart, foul-mouthed Detroit cop
currently skating on thin ice after engaging in undercover work without
authorisation. When his best friend drops in for a visit, he is murdered and
Axel makes it his mission to go to Beverly Hills and track down the bastard
behind it. Immediately, his wild, off-the-cuff style meshes with the
by-the-book procedures of the Beverly Hills Police Force and two agents are
assigned to keep an eye on him. Dragging the two reluctant do-good cops along
for the ride, Foley’s mission begins to yield more surprises than he bargained
for.
Since the hit of this movie, there have been numerous fish-out-of-water
cop comedies made, but none harbour the freshness and simplicity of Beverly Hills Cop. Packed with action,
rapid-fire comedic dialogue, and set against an infuriatingly infectious
synthesised soundtrack, boasting the infamous Axel F theme, this movie stands
the test of time rather well, with its solid story, its clever script, and a
memorable performance from its leading man.
Axel Foley is a street smart,
foul-mouthed Detroit cop currently skating on thin ice after engaging in
undercover work without authorisation. When his best friend drops in for a
visit, he is murdered and Axel makes it his mission to go to Beverly Hills and
track down the bastard behind it. Immediately, his wild, off-the-cuff style
meshes with the by-the-book procedures of the Beverly Hills Police Force and
two agents are assigned to keep an eye on him. Dragging the two reluctant
do-good cops along for the ride, Foley’s mission begins to yield more surprises
than he bargained for.
The article in The Book opens with “what a different
movie Beverly Hills Cop would have
been had Sylvester Stallone, who was originally attached to the project, been the
lead actor.” Watching Eddie Murphy’s rapid-fire and yet somehow articulate
dialogue performance in this movie, it’s impossible to imagine anyone in the
lead other than. Giving a show that was each aggressive, sentimental, sometimes
sincere, and cunningly clever, Eddie was a perfect casting choice, making the
movie a balanced and all-audience-engaging action/comedy rather than a bloody and
brutal hot-headed action flick which it conceivably would have been had
Stallone been the lead.
As the story is a simple one of friendship and initial revenge,
the movie harbours some subtle but noticeable cynical jabs at the
all-style-and-no-substance lifestyle of Los Angeles. These jabs are particularly
apparent in Foley’s clashes with Beverly Hills Police Force procedures and then
in his compliments of their clean and polished cars and overt politeness. The
chemistry clash between the two worlds, so to speak, is one that causes the
audience to really gun for the hero, despite his overtly aggressive and no-shit
approach to getting things done.
Starring Judge Reinhold, John Ashton, Lisa
Eilbacher, Ronny Cox, Steven Berkoff, Gilbert R. Hill, and James Russo, Beverly Hills Cop is a great movie
filled with action, defiance, revenge, and comedy. Its simplicity and its
freshness give it immunity to ever becoming stale.
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